He also clears up the broken wine glass and somehow lugs Gabe’s limp form all the way from bungalow to studio roof, in broad daylight, without being seen. Putting his scheme firmly into action, Crawford finishes dressing Gabe by putting shoes from the tuxedo bag on the slumbering lad’s feet and stealing his house key. No human has ever known happiness as heavenly as Gabe’s glee here As he falls, he cuts his wrist on the broken champagne flute – an incident you can bet will rear its head further down the track. Sadly for him, the fizz has been drugged and the wunderkind is soon gasping for breath and dropping unconscious. To celebrate, Crawford cracks open a bottle of Champagne, which Gabe throws back like a college freshman downing tequila shots. ![]() These soar higher still when Crawford tells him that Ritter has agreed to allow the young man to score his next movie. Some time later, Crawford arrives at his studio bungalow where a grinning Gabe – now resplendent in his full tux – is in high spirits. He responds in the form of a musical stave of his own, which he prints and signs and slips into the inside pocket of the hired tuxedo he thinks he’ll be conducting in later on. She has thoughtfully provided him with a new baton, inscribed with a secret LOVE MESSAGE written in musical notes. ![]() There, he opens a gift from his lover (and orchestral piano player) Rebecca, AKA Becca. Next day, a chipper Gabe turns up early at the studio to rehearse for his expected conductorial debut. Why does this matter? Wait and see, my friends, wait and see… The elevator hasn’t been in service for years, but a quick demonstration from el Maestro proves that it’s in full working order. Bizarrely, Gabe chooses to conduct right on top of an old freight elevator trapdoor. He assesses the studio roof, where Gabe is wont to hang out and find musical inspiration as he listens to Crawford conducting the orchestra via radio. Amazed by the older man’s gracious offer, McEnery takes the bait and agrees to keep quiet – sealing his own fate in the process.Īs soon as the young simpleton vamooses, Crawford puts a wicked scheme into place. Not only that, he’ll allow McEnery the honour of conducting the symphony orchestra himself at a special ‘Crawford Conducts Crawford’ event at the studio the following night. Spinning a cock-and-bull story, he tells his apprentice that he’ll reveal all to Ritter that very evening and will recommend that Gabe and not he scores the director’s next film. The wily Maestro isn’t all too keen on that outcome, but is able to take advantage of McEnery’s unbelievably trusting and gullible nature. ![]() McEnery’s lumberjack shirt was 40 sizes too big for him He’ll even show Ritter Crawford’s original score and his own adapted version that won such critical acclaim. The score to The Killer was, McEnery claims, 75% his own work – and Crawford didn’t even thank him when accepting the Oscar statuette.ĭue to this, McEnery is going to blow the whistle on Crawford and reveal to his long-time directorial cohort Sidney Ritter how the young pretender is really the one pulling the strings. McEnery, however, is fed up about his lack of stature and prospects at the studio after five years in the great man’s shadow. These efforts are passed on to Crawford, who passes them off as his own. Nowadays, the best elements of his scores are cooked up by his apprentice Gabe McEnery – an eccentric but likable baby-faced fellow, who listens in via radio to Crawford’s efforts from the film studio roof and lets his instincts guide him towards musical perfection. The only problem with this is that ol’ Crawford is well past his sell-by date. Every motion picture he scores wins plaudits for the calibre of his musical interjections – and he even snared an Academy Award for his last great effort on prophetically titled blockbuster The Killer. Movie musical Maestro Findlay Crawford is the John Williams of the Columboverse.
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